It is not uncommon to hear program 4 while program 2 is playing, so you end up hearing two songs at once). They were generally poorly made, and frequently had issues with cross talk (there are 8 channels of audio separated into four programs with a left and right signal. The ones that have survived have numerous issues, and typically break the first time you play them. They use a kind of physics magic with a continuous loop mechanism (if you pull the tape out, it would be a gigantic endless circle). It also features that infamous 8 track clunk in the middle since they decided to chop the song in half.Ĩ Track cartridges have not aged well, and I don't see how they could ever make a come back. Here is it in the most 70s way imaginable, on a Weltron 2001 and a lava lamp. It was recorded by Bill Kenny shortly before he died in 1978 and likely one of his last recordings. It’s a 1979 re-recording for the CBS/51West album If I Didn’t Care which was also released on 8-track. New Vegas also doesn’t use the original 1941 version of the Ink Spots’ “It’s a Sin to Tell a Lie”. It’s a very long 3 8-track set or a 5 LP set. It’s a re-recording made in 1980 for K-Tel that I’ve managed to find on this 1983 Candlelite Records compilation album The Top 100 Country Hits of All Time. New Vegas doesn’t use the original 1959 Guy Mitchell recording from Columbia Records. In fact, there’s two songs in New Vegas that were originally released on 8 track because they were recorded in 19 since the game does not use the original versions. The version New Vegas uses was originally released on 8 track tape. It’s funny you put “Heartaches by the Number” on there. let me know if your label is interested in making a comp here.
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The song continues to stand up historically with “ Stairway to Heaven”, “ Free Bird” and their ilk.And was beginning to believe everything was a lie.Īs she listed to her Judas Priest cassette on her WALKMAN! All was right with the world again as Page’s assertion rang true and loud throughout the land.Īll in all, Iron Man is classic from a golden era, when a young Ozzy Osbourne didn’t need a music studio to process his voice to an extreme.
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Heads were banged, fists pumped, full length guitar solos ripped through the air and “I.Am.Iron Man!” was finally exclaimed. None of this was in effect in the early hours of 1/1/13 when Page took center stage at Madison Square Garden with golf club in hand like the scepter of a reigning Heavy Metal monarch to declare himself “Iron Man.” The resulting, full band rendition shook the newly renovated Garden up to its rafters, and down to the undulating floor.
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Still, how many bands can say that they welcomed a New Year with the combo of “Auld Lang Syne” > “Iron Man”? Truly an original thought. However, it was perhaps most unfortunate that being performed as an instrumental, the growling, slowed-down intro vocals of “I.Am.Iron Man” had been omitted. It seems almost like he sat this one out.
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Or is it a band caught up in the moment? Either way, the tune is sped up and, as further proof of a spur of the moment cover, it is impossible to hear Page’s chops on the version. The Black Sabbath tribute can indeed seem hastily played. Compare that to the six-minute original version that became an FM and 8-track tape staple in the early ‘70s. While longer then the quick jam-by-request from 6/19/88 and Mike’s tease of it during the 2/20/93 “ Wilson,” Phish’s 12/31/03 version (the first to constitute a “song” in the setlists) tracks at only one minute and twenty five seconds.